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General Admission tickets are available for this performance. This show is general admission seating. To purchase ADA tickets, please email boxoffice@logjampresents.com. All sales are final and tickets are non-refundable. **Please understand that Logjam Presents takes every measure possible to ensure YOU, the fans, get tickets. There are many layers of bot-stopping efforts in place, but even then, demand may occasionally outweigh the available supply of tickets.**
The Wilma
General Admission tickets are available for this performance. This show is general admission seating. To purchase ADA tickets, please email boxoffice@logjampresents.com. All sales are final and tickets are non-refundable. **Please understand that Logjam Presents takes every measure possible to ensure YOU, the fans, get tickets. There are many layers of bot-stopping efforts in place, but even then, demand may occasionally outweigh the available supply of tickets.**
The Wilma
Rose Theatre at Arizona Center
Rose Theatre at Arizona Center
Phoenix Theatre - Stephenson Theatre
Nestos Jazz Trio - Wednesdays at Lil Indies No Cover21+10PM
Lil' Indies
Nestos Jazz Trio - Wednesdays at Lil Indies No Cover21+10PM
Lil' Indies
DOORS: 6PM SHOW: 7PM Please Note: This event is 13+ (Ages 5-12 must be accompanied by a parent/legal guardian. Children 4 and under not admitted.) *BAG POLICY* - Bags up to 12" x 6" x 12" are allowed in the venue (NO BACKPACKS) - All bags will be searched prior to entry - Bags that are not clear will be subject to additional search All support acts are subject to change without notice.
The Van Buren
DOORS: 6PM SHOW: 7PM Please Note: This event is 13+ (Ages 5-12 must be accompanied by a parent/legal guardian. Children 4 and under not admitted.) *BAG POLICY* - Bags up to 12" x 6" x 12" are allowed in the venue (NO BACKPACKS) - All bags will be searched prior to entry - Bags that are not clear will be subject to additional search All support acts are subject to change without notice.
The Van Buren
Revel Entertainment Center
The Nick is a Private Club - Membership Card ($7 Per Year) & Valid ID - 21 + Up to Enter.
The Nick
The Nick is a Private Club - Membership Card ($7 Per Year) & Valid ID - 21 + Up to Enter.
The Nick
There are 18 tables, 8 bar seats and 8 church pew seats available for reservation. The remaining pew seats for this show are not reserved in advance. These seats are available on a first come/first served basis when doors open. Ticket reservations at The Bluebird Cafe are an agreement to pay the cover charge and applicable taxes/fees and to meet the $15.00 per seat food and/or drink minimum. There is a 6 seat maximum per ticket order. Ticket holders may cancel their reservation for a full refund of the ticket price and applicable tax (excluding ticketing fees) if the cancellation is made at least 48 hours before the scheduled showtime. Cancellations made within 48 hours of the show are non-refundable. To cancel, please email info@bluebirdcafe.com or call 615-383-1461. Phone line hours are Monday-Friday, 12-4 pm. Traveling to Nashville to catch a show with us? We recommend flying with Southwest Airlines®, the official airline partner of The Bluebird Cafe. Book your flights today at Southwest.com. Note: When making reservations, choose the table you would like and then add the number of seats you need to your cart by using the + button. You are NOT reserving an entire table if you choose 1 (by choosing 1, you are reserving 1 seat). We reserve ALL seats at each table. If you are a smaller party at a larger table, you will be seated with guests outside your party.
The Bluebird Cafe
There are 18 tables, 8 bar seats and 8 church pew seats available for reservation. The remaining pew seats for this show are not reserved in advance. These seats are available on a first come/first served basis when doors open. Ticket reservations at The Bluebird Cafe are an agreement to pay the cover charge and applicable taxes/fees and to meet the $15.00 per seat food and/or drink minimum. There is a 6 seat maximum per ticket order. Ticket holders may cancel their reservation for a full refund of the ticket price and applicable tax (excluding ticketing fees) if the cancellation is made at least 48 hours before the scheduled showtime. Cancellations made within 48 hours of the show are non-refundable. To cancel, please email info@bluebirdcafe.com or call 615-383-1461. Phone line hours are Monday-Friday, 12-4 pm. Traveling to Nashville to catch a show with us? We recommend flying with Southwest Airlines®, the official airline partner of The Bluebird Cafe. Book your flights today at Southwest.com. Note: When making reservations, choose the table you would like and then add the number of seats you need to your cart by using the + button. You are NOT reserving an entire table if you choose 1 (by choosing 1, you are reserving 1 seat). We reserve ALL seats at each table. If you are a smaller party at a larger table, you will be seated with guests outside your party.
The Bluebird Cafe
The Basement
The Basement
Play on, theres no such thing as better days, Damien Jurado sings on Roger, the sweeping wash of a song that opens Reggae Film Star, his 18th full length album and second release from Jurados own Maraqopa Records label. But as he enters his 25th year as a recording artist, its clear these are, at the least, very good days for Jurado on the creative front. In these 12 songs, which evoke half-recalled dreams and overheard conversations, the cosmic rushes headlong into the autobiographical and specific moments on the clock fade from past to future to scenes set only in the eternal now. Playing out like a backlot documentary filmed on the location of an unnamed TV or film setmaybe a sitcom taping, or perhaps its a low budget science fiction B-movie, or could it be a talk show?the album is populated by performers awaiting call times, camera operators praying for their shot, and studio audiences rapt with anticipation. The stars here eschew glitz and glamor. Instead, they wander grocery stores and parking lots in the verdant Pacific Northwest and the desert Southwest, looking for payphones and a sense of purpose. Produced by Jurado with multi-instrumentalist Josh Gordon and recording engineer Alex Bush at Sonikwire studio in Irvine,CA, Jurados home away from home and musical headquarters, the records compositions are among the most musically rich in his vast discography, encompassing romantic AM gold, 60s psychedelia, driving rock s unmistakable voice, at once intimately present and ghostly, grounded in the here and now but capable, at any moment, of drifting off into the divinatory. Following threads established by 2021s The Monster Who Hated Pennsylvania, the album sees Jurado embracing his auteur era, penning vignettes that arrive with little fanfare and depart quicker than you might suspect, only to linger long after they wrap. Seeking a skeleton key to decipher the action is beside the pointJurados songs are worlds meant to be lived in, not picked apartbut on the beatific single What Happened To The Class Of 65? the singer imagines himself as both the viewer and the viewed, the eye behind the camera and its subject. This emotional and spiritual transference animates Reggae Film Star. Like a masterful director, Jurado offers motivation to the listener, staring unblinkingly from the mise-en-scne in your mind. Look into the camera, he commands on The Day Of The Robot, One more time with anger/And sadness/I believe you. A quarter-century in, Jurado remains gripped by his visions and driven by an unmatched creative drive. Reggae Film Star is one of Damien Jurados finest works to date, a stunning new feature from one of indie rocks most cinematic figures. Here on this sound stage, you are the camera, you are the scene, you are the setting, and you are the viewer. Please try not to blink.-Jason P. Woodbury
Gasa Gasa
Play on, theres no such thing as better days, Damien Jurado sings on Roger, the sweeping wash of a song that opens Reggae Film Star, his 18th full length album and second release from Jurados own Maraqopa Records label. But as he enters his 25th year as a recording artist, its clear these are, at the least, very good days for Jurado on the creative front. In these 12 songs, which evoke half-recalled dreams and overheard conversations, the cosmic rushes headlong into the autobiographical and specific moments on the clock fade from past to future to scenes set only in the eternal now. Playing out like a backlot documentary filmed on the location of an unnamed TV or film setmaybe a sitcom taping, or perhaps its a low budget science fiction B-movie, or could it be a talk show?the album is populated by performers awaiting call times, camera operators praying for their shot, and studio audiences rapt with anticipation. The stars here eschew glitz and glamor. Instead, they wander grocery stores and parking lots in the verdant Pacific Northwest and the desert Southwest, looking for payphones and a sense of purpose. Produced by Jurado with multi-instrumentalist Josh Gordon and recording engineer Alex Bush at Sonikwire studio in Irvine,CA, Jurados home away from home and musical headquarters, the records compositions are among the most musically rich in his vast discography, encompassing romantic AM gold, 60s psychedelia, driving rock s unmistakable voice, at once intimately present and ghostly, grounded in the here and now but capable, at any moment, of drifting off into the divinatory. Following threads established by 2021s The Monster Who Hated Pennsylvania, the album sees Jurado embracing his auteur era, penning vignettes that arrive with little fanfare and depart quicker than you might suspect, only to linger long after they wrap. Seeking a skeleton key to decipher the action is beside the pointJurados songs are worlds meant to be lived in, not picked apartbut on the beatific single What Happened To The Class Of 65? the singer imagines himself as both the viewer and the viewed, the eye behind the camera and its subject. This emotional and spiritual transference animates Reggae Film Star. Like a masterful director, Jurado offers motivation to the listener, staring unblinkingly from the mise-en-scne in your mind. Look into the camera, he commands on The Day Of The Robot, One more time with anger/And sadness/I believe you. A quarter-century in, Jurado remains gripped by his visions and driven by an unmatched creative drive. Reggae Film Star is one of Damien Jurados finest works to date, a stunning new feature from one of indie rocks most cinematic figures. Here on this sound stage, you are the camera, you are the scene, you are the setting, and you are the viewer. Please try not to blink.-Jason P. Woodbury
Gasa Gasa
Please Note: Please adhere to the published ticket limits. Guests attending Ball Arena events are advised that laptops, tablets, bags, backpacks, luggage, coolers, parcels, briefcases and like articles will be strictly prohibited from the facility. All guests may be subject to search of their person and/or possessions. Patrons with prohibited articles will be turned away and no storage or "check-in area" will be provided. Enforcement will be without exceptions. All events are subject to change.
Ball Arena
Please Note: Please adhere to the published ticket limits. Guests attending Ball Arena events are advised that laptops, tablets, bags, backpacks, luggage, coolers, parcels, briefcases and like articles will be strictly prohibited from the facility. All guests may be subject to search of their person and/or possessions. Patrons with prohibited articles will be turned away and no storage or "check-in area" will be provided. Enforcement will be without exceptions. All events are subject to change.
Ball Arena
Free entry!
Vultures
Free entry!
Vultures
Gothic Theatre
Get ready to laugh at our bimonthly comedy series, Comedy @ Kerr! Join us in the Kerr Studio in the heart of Scottsdale for stand-up comedy from rotating guests. This event is every other month on the last Wednesday.
ASU Kerr
Get ready to laugh at our bimonthly comedy series, Comedy @ Kerr! Join us in the Kerr Studio in the heart of Scottsdale for stand-up comedy from rotating guests. This event is every other month on the last Wednesday.
ASU Kerr
Garage opens at 6PM All Ages welcome Doors 6:30PM Show 7:30PM All times + support acts subject to change TO PURCHASE ACCESSIBLE SEATING: VISIT ONLINE @ WWW.TICKETMASTER.COM OR WWW.LIVENATION.COM SUBJECT TO AVAILABILITY AND TICKET LIMITS ***PLEASE NOTE - PRESALES ARE ONLINE ONLY***
Arizona Financial Theatre
Garage opens at 6PM All Ages welcome Doors 6:30PM Show 7:30PM All times + support acts subject to change TO PURCHASE ACCESSIBLE SEATING: VISIT ONLINE @ WWW.TICKETMASTER.COM OR WWW.LIVENATION.COM SUBJECT TO AVAILABILITY AND TICKET LIMITS ***PLEASE NOTE - PRESALES ARE ONLINE ONLY***
Arizona Financial Theatre
