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Where ancient craftsmanship meets boundless imagination. Journey through three extraordinary worlds — the splendor of Chinese tradition, the glowing depths of the enchanted ocean, and the shimmering realms of fantasy — each sculpted in breathtaking light by master artisans. China Lights Wisconsin brings the world's most beloved legends together in one unforgettable night, honoring a 2,000-year tradition that belongs to everyone. Come see the legends. Come see them alive.
Boerner Botanical Gardens
Where ancient craftsmanship meets boundless imagination. Journey through three extraordinary worlds — the splendor of Chinese tradition, the glowing depths of the enchanted ocean, and the shimmering realms of fantasy — each sculpted in breathtaking light by master artisans. China Lights Wisconsin brings the world's most beloved legends together in one unforgettable night, honoring a 2,000-year tradition that belongs to everyone. Come see the legends. Come see them alive.
Boerner Botanical Gardens

Take a visit to Lukes Garage, Delicate Steves latest album, and youll discover a place where sparks of creativity fly in all directions, where melodies splatter the walls like brightly hued paint, where no idea is too simple, too ingenuous, too full of childlike wonder. The L.A.-via-Jersey guitarist born Steve Marion, whose credits include session work for Amen Dunes, Paul Simon, and Deradoorian, had no grand plan for making it: he would simply book some time at a friends studio, hunker down, and play. Hes always allowed intuition to guide him, composing his jubilantly tuneful instrumentals as he records them, but this time, he felt freer than ever to keep the seams showing, and dont polish everything, and keep it raw, and alive, and electric-feeling, he says. He chose the title, Lukes Garage, as a tribute to his pal and sometime collaborator Luke Temple, but also for the anything-goes adolescent innocence it conjured: the feeling of heading over to a buddys house, turning up the amps, and creating your own world. In the world of Lukes Garage, a passage of music that feels like a sketch in progress might open into a hook so finely wrought, so obviously right, that you have a hard time believing you havent heard it before. The two passages may in fact be one and the same. There are songs that feel destined to soundtrack memories of windows-down road trips, and those more suited to moments of hushed intimacy. A shadowy synth-pop excursion (Light of the World) veers into a candlelit soul ballad (Shall Be Free); a chugging garage-rocker (the title track, naturally) sets up an unexpected detour into slinky disco (There Goes My Baby). Delicate Steves unmistakable sensibility, his tone airy yet tactile, his lines full of poignant bends and whimsical asides, is a benevolent guide through the ever-shifting landscape, keeping a steady hand on the wheel no matter the surroundings. He has little interest in showing off, focusing instead on clarity, simplicity, and directnessmore like an openhearted pop songwriter than a look-what-I-can-do shredder. Marion played every instrument on Lukes Garage himselfguitars, drums, keys, basswhich heightens its homespun charm. The albums sense of music as a colorful playground for exploration may remind you of Paul McCartneys early solo work, made at a time when he was shrugging off the weight of expectation and digging into his own idiosyncrasy, tinkering alone until he found a sound that made him feel and trusting it would do the same for others. As with the McCartney, this records air of easy spontaneity belies serious craftsmanship and care: the exuberantly arcing melody of Well Be Friends and the quietly hopeful one of Die With It didnt just come out of thin air, no matter how natural or even preordained they may seem. To hear Marion tell it, the audible joy in his music isnt some affect hes choosing to put on, but an honest expression of his own delight and relief when he finally finds the right note, the right rhythm. The prevailing mood of Lukes Garage is one of discovery, because youre hearing Marion discover the music himself.
Shank Hall

Take a visit to Lukes Garage, Delicate Steves latest album, and youll discover a place where sparks of creativity fly in all directions, where melodies splatter the walls like brightly hued paint, where no idea is too simple, too ingenuous, too full of childlike wonder. The L.A.-via-Jersey guitarist born Steve Marion, whose credits include session work for Amen Dunes, Paul Simon, and Deradoorian, had no grand plan for making it: he would simply book some time at a friends studio, hunker down, and play. Hes always allowed intuition to guide him, composing his jubilantly tuneful instrumentals as he records them, but this time, he felt freer than ever to keep the seams showing, and dont polish everything, and keep it raw, and alive, and electric-feeling, he says. He chose the title, Lukes Garage, as a tribute to his pal and sometime collaborator Luke Temple, but also for the anything-goes adolescent innocence it conjured: the feeling of heading over to a buddys house, turning up the amps, and creating your own world. In the world of Lukes Garage, a passage of music that feels like a sketch in progress might open into a hook so finely wrought, so obviously right, that you have a hard time believing you havent heard it before. The two passages may in fact be one and the same. There are songs that feel destined to soundtrack memories of windows-down road trips, and those more suited to moments of hushed intimacy. A shadowy synth-pop excursion (Light of the World) veers into a candlelit soul ballad (Shall Be Free); a chugging garage-rocker (the title track, naturally) sets up an unexpected detour into slinky disco (There Goes My Baby). Delicate Steves unmistakable sensibility, his tone airy yet tactile, his lines full of poignant bends and whimsical asides, is a benevolent guide through the ever-shifting landscape, keeping a steady hand on the wheel no matter the surroundings. He has little interest in showing off, focusing instead on clarity, simplicity, and directnessmore like an openhearted pop songwriter than a look-what-I-can-do shredder. Marion played every instrument on Lukes Garage himselfguitars, drums, keys, basswhich heightens its homespun charm. The albums sense of music as a colorful playground for exploration may remind you of Paul McCartneys early solo work, made at a time when he was shrugging off the weight of expectation and digging into his own idiosyncrasy, tinkering alone until he found a sound that made him feel and trusting it would do the same for others. As with the McCartney, this records air of easy spontaneity belies serious craftsmanship and care: the exuberantly arcing melody of Well Be Friends and the quietly hopeful one of Die With It didnt just come out of thin air, no matter how natural or even preordained they may seem. To hear Marion tell it, the audible joy in his music isnt some affect hes choosing to put on, but an honest expression of his own delight and relief when he finally finds the right note, the right rhythm. The prevailing mood of Lukes Garage is one of discovery, because youre hearing Marion discover the music himself.
Shank Hall
Doors at :7 00pm | Show at 8:00 pm CASHLESS VENUE - The Majestic Theatre services all credit and debit payments only. No cash accepted. Bags (max size 12" x 6" x 12") are allowed and will be searched upon entry. Exceptions will be made for necessary medical equipment and bags for nursing mothers. We encourage you to pack light with only the necessities to make the entry process as smooth as possible. All tickets are standing and seated General Admission and are available on a first come first serve basis. The Opera Boxes are only accessible by stairs. Advance tickets can be purchased online or at The Sylvee box office. Once the doors have opened, if tickets are still available, they can be purchased at the Majestic Theatre.
Majestic Theatre
Doors at :7 00pm | Show at 8:00 pm CASHLESS VENUE - The Majestic Theatre services all credit and debit payments only. No cash accepted. Bags (max size 12" x 6" x 12") are allowed and will be searched upon entry. Exceptions will be made for necessary medical equipment and bags for nursing mothers. We encourage you to pack light with only the necessities to make the entry process as smooth as possible. All tickets are standing and seated General Admission and are available on a first come first serve basis. The Opera Boxes are only accessible by stairs. Advance tickets can be purchased online or at The Sylvee box office. Once the doors have opened, if tickets are still available, they can be purchased at the Majestic Theatre.
Majestic Theatre
Egyptian Room at Old National Centre General Admission tickets are standing room only. Riser seating includes wait staff ADA seating is available upon request Doors: 9:00 PM Show: 9:00 PM Ages 18+
Old National Centre
Egyptian Room at Old National Centre General Admission tickets are standing room only. Riser seating includes wait staff ADA seating is available upon request Doors: 9:00 PM Show: 9:00 PM Ages 18+
Old National Centre
The Ruth and Nathan Hale Theater


The Ruth and Nathan Hale Theater

Amsterdam Bar & Hall

Amsterdam Bar & Hall

Hale Centre Theatre - Arizona

Hale Centre Theatre - Arizona


Sunshine Theatre
Delta Center
Delta Center


THIS SHOW IS GENERAL ADMISSION. BALCONY SECTION IS 21+. BALCONY SEAT TICKET MUST BE PURCHASED FOR SEATING. NO SEATS ON THE MAIN FLOOR. STANDING ROOM ONLY. NO REFUNDS/ EXCHANGES UNLESS HEADLINER CANCELS. ALL TICKET SALES ARE SUBJECT TO SERVICE FEES. BABIES / TODDLERS ARE NOT PERMITTED, EVEN AT AN ALL-AGES SHOW. CHILDREN UNDER THE AGE OF 10 MUST HAVE EARMUFF PROTECTION. PARKING IN THE MARQUEE LOTS IS AN ADDITIONAL $15.00 PER SPACE USED. CASH ONLY AND PAID TO THE PARKING ATTENDANTS NIGHT OF THE EVENT
Marquee Theatre
THIS SHOW IS GENERAL ADMISSION. BALCONY SECTION IS 21+. BALCONY SEAT TICKET MUST BE PURCHASED FOR SEATING. NO SEATS ON THE MAIN FLOOR. STANDING ROOM ONLY. NO REFUNDS/ EXCHANGES UNLESS HEADLINER CANCELS. ALL TICKET SALES ARE SUBJECT TO SERVICE FEES. BABIES / TODDLERS ARE NOT PERMITTED, EVEN AT AN ALL-AGES SHOW. CHILDREN UNDER THE AGE OF 10 MUST HAVE EARMUFF PROTECTION. PARKING IN THE MARQUEE LOTS IS AN ADDITIONAL $15.00 PER SPACE USED. CASH ONLY AND PAID TO THE PARKING ATTENDANTS NIGHT OF THE EVENT
Marquee Theatre
DOORS: 6PM SHOW: 7PM Please Note: This event is 13+ (Ages 5-12 must be accompanied by a parent/legal guardian. Children 4 and under not admitted.) *BAG POLICY* - Bags up to 12" x 6" x 12" are allowed in the venue (NO BACKPACKS) - All bags will be searched prior to entry - Bags that are not clear will be subject to additional search All support acts are subject to change without notice.
The Van Buren
DOORS: 6PM SHOW: 7PM Please Note: This event is 13+ (Ages 5-12 must be accompanied by a parent/legal guardian. Children 4 and under not admitted.) *BAG POLICY* - Bags up to 12" x 6" x 12" are allowed in the venue (NO BACKPACKS) - All bags will be searched prior to entry - Bags that are not clear will be subject to additional search All support acts are subject to change without notice.
The Van Buren
Orpheum Theater - Flagstaff
Orpheum Theater - Flagstaff

Rose Theatre at Arizona Center

Rose Theatre at Arizona Center
Best Life PresentsLUCY (COOPER B. HANDY)with special guestNEGASHI ARMADAThursday, October 29th 2026Doors 6:30 / Show 7:0016+Advance General Admission Ticket: $22 + feesDay of Show General Admission Ticket: $25 + fees
Valley Bar
Best Life PresentsLUCY (COOPER B. HANDY)with special guestNEGASHI ARMADAThursday, October 29th 2026Doors 6:30 / Show 7:0016+Advance General Admission Ticket: $22 + feesDay of Show General Admission Ticket: $25 + fees
Valley Bar


Neurolux Lounge